Saad Qureshi’s latest exhibition invites viewers on a journey through subjective landscapes of paradise, woven from a rich tapestry of stories and memories. Featuring three monumental sculptures seemingly rooted in the earth, these works bear miniature houses and trees, beckoning us into a whimsical world where reality and fantasy intertwine.
Each sculpture represents a “mindscape,” a product of extensive research where Qureshi collected personal narratives of paradise from a diverse range of individuals.
These fuzzy images, born from imagination, formed the foundation of his extraordinary creations. The scale of the sculptures plays a pivotal role; their enormous size carrying tiny houses emphasizes the fluidity of our perception of space and time.
Qureshi reflects on the elasticity of time, noting how distant events can feel like yesterday while recent ones may seem like a lifetime ago. His works aim to capture this sense of time’s expansion and contraction, offering a visual exploration of our memories.
Personal experiences also inform Qureshi’s artistic vision.

His childhood home in Pakistan, once towering above him, inspired him deeply. Upon returning as an adult, he was surprised to find himself easily reaching the ceiling, a revelation that highlighted the malleability of our perception of space, shaped by time and experience.
Editor’s Choice

Ultimately, Qureshi’s exhibition is a testament to the power of imagination and memory. By crafting these subjective landscapes, he invites us to explore our own personal paradises, reflect on the passage of time, and appreciate the ever-changing nature of our perceptions.