Ladies and gentlemen, a new star is rising in the art-world firmament, and it’s as if Taiwan has decided to uncork a bottle of its most effervescent cultural champagne. Behold the New Taipei City Art Museum (NTCAM), a sleek, skyward whisper of architecture by KRIS YAO | ARTECH, opening its formidable doors on April 25. Perched dreamily at the confluence of the Yingge and Dahan rivers, this isn’t just a museum; it’s a metaphor, a confluence of history and the future, of art and industry, of the local and the global.
The inaugural exhibitions at NTCAM promise nothing short of a symphony. Andrew Shih-Ming Pai and Ting Tsou’s masterfully curated collection gathers 45 artists—luminaries like Wu Tien-Chang and Yuan Goang-Ming—creating a kaleidoscopic narrative of New Taipei’s cultural pulse. It’s an art history lesson that wears its intellect lightly, revealing the city’s stories in electric, unforgettable bursts.

Then there’s the global-local group show, the brainchild of Amy Cheng and Hsieh Feng-Rong. Here, the past and present dance, sometimes awkwardly, sometimes elegantly, to the tune of globalization. Taiwanese visionaries Musquiqui Chihying and Joyce Ho rub conceptual shoulders with international powerhouses like Philippe Parreno and Haegue Yang. This is a love letter to New Taipei’s industrial backbone, that unsung hero whose veins pump life into Taipei’s shimmering skyline.
Lai Hsiangling, the director, is no stranger to the art scene’s alchemy, having conjured cultural beacons in Shanghai and Taipei before. Her pledge to create “a responsive institution that listens” feels refreshingly unpretentious. Call it a museum, call it a listening post, call it a community. Whatever it is, it feels alive.

And oh, the building! Its vertical tubes rise like reeds whispering secrets to the wind. The pavilions tucked around it hum with intimacy, inviting you to wander and wonder. It’s a museum that doesn’t just sit on the land but grows out of it, as organically as the pottery for which Yingge is famed.
NTCAM isn’t merely a temple to art; it’s the first salvo in Taiwan’s cultural crescendo, with more museums blossoming in Taichung and Taoyuan. The island seems poised for its cultural golden hour, and let me tell you, this one feels like a Vermeer sunset—radiant, layered, and impossible to look away from.
So here’s to New Taipei City Art Museum: may its walls echo with the whispers of its artists, the laughter of its visitors, and the unmistakable hum of history being made.