The Architects of Perception
Art, in its highest form, does not merely decorate walls—it reconstructs the way we see. Enter Encor Studio, a Swiss-born avant-garde collective dismantling the boundaries between the tangible and the ethereal. Since its inception in 2016, the group—comprising Mirko Eremita, David Houncheringer, Valerio Spoletini, and Manuel Oberholzer—has carved out a niche where technology and human introspection collide. Their work is not about spectacle; it is about experience, an odyssey through light, sound, and the unseen architecture of our minds.
Each installation they create pulses with a haunting immediacy, demanding that audiences not just observe but participate in their ephemeral worlds. Their art, featured in exclusive art exhibitions and art magazines, is a challenge to perception itself.
Interdependency: Machines That Remember
In Interdependency, Encor Studio invites viewers into a world where memory is not just a human construct but a mechanical phenomenon. The installation unfolds within a six-meter-long transparent shipping container, where two machines perform a synchronized ballet of creation and decay. White smoke swirls in the space, punctuated by lasers slicing through the haze. The machines, connected yet distinct, imprint their movements onto film—a record that lags just enough to evoke a ghostly sense of déjà vu.
This lag is no accident. It is a poetic articulation of memory, a meditation on how we archive experience. The machines write together, their synchronized gestures a metaphor for the delicate balance of connection and isolation. When their harmony fractures, the piece leaves an unsettling question hanging in the air: Are we truly interdependent, or merely coexisting?
The Philosophy of Light and Sound
If Encor Studio’s work had a manifesto, it would be written in beams of light and pulses of sound. Their installations are not merely visual; they are experiences of synesthetic immersion, where light behaves as both guide and interrogator.
In ADSUM, the collective plays with the art of visuals, bending illumination into a sculptural form that seems to hover between dimensions. In this space, light is not a passive presence—it is an active force, pulling viewers into a dialogue with their own perceptions. Similarly, their use of sound transcends the auditory, transforming it into a physical presence that ripples through the body like an invisible tide.
Their philosophy is clear: art is not a passive engagement but an act of surrender. Their work does not offer easy interpretation; it demands that you feel before you think.
Decontamination Room #001: A Cleansing Ritual
Amidst the digital cacophony of the modern world, Encor Studio’s Decontamination Room #001 stands as an audiovisual sanctuary—a place to purge not just physical toxins but the anxieties of existence itself.
Originally designed as a functional decontamination chamber, the installation was reimagined as a transformative space where light and sound serve as purifying forces. Visitors step inside, enveloped by an evolving symphony of color and frequency, emerging renewed—a ritualistic shedding of the intangible burdens we carry.
The experience is both futuristic and deeply ancient, echoing centuries-old cleansing ceremonies yet constructed from the tools of the digital age. Encor Studio does not simply create spaces—they engineer thresholds between the internal and external, between what is seen and what is felt.
A Collective That Defies Definition
What makes Encor Studio exceptional is their alchemical fusion of disciplines. They are architects, mathematicians, photographers, and virtual reality pioneers, each bringing a distinct perspective to their collaborative experiments. This interdisciplinary approach allows them to transcend traditional art forms, constructing installations that feel less like objects and more like living organisms.
By merging lo-fi materials with cutting-edge digital techniques, they blur the lines between the industrial and the poetic. Their work is both precise and chaotic, rooted in technology yet driven by a relentless human curiosity.
Encor Studio is not in the business of creating passive beauty. Their work poses questions rather than providing answers. Each piece is an inquiry into our evolving relationship with technology—our dependence on it, our fear of it, and the ways in which it reshapes our perceptions.
Editor’s Choice
Encor Studio is not in the business of creating passive beauty. Their work poses questions rather than providing answers. Each piece is an inquiry into our evolving relationship with technology—our dependence on it, our fear of it, and the ways in which it reshapes our perceptions.
Their immersive installations serve as mirrors reflecting our contemporary condition: fragmented yet interconnected, overwhelmed yet seeking clarity. In an era where the digital and physical intertwine, their work reminds us that even in the most abstract of spaces, meaning is something we must seek—and sometimes, something we must surrender to.
Through light, sound, and the manipulation of space, Encor Studio crafts not just art but experiences that continue to echo long after the final flicker of illumination fades.